Calligraphy art creation sketchy insights

About creative issues. For many years until now, learning to ask about this problem. Ancient and modern book writers have stressed that it is necessary to “remember ancient times without ancient times” and to “push new ones”. This is a scientific statement. Some people said: "It is reasonable to learn what I am, like me to die." Because the law of nature is a change in the development of the movement. The same is true of the evolution of calligraphy. What we are talking about is the inherent law of calligraphy itself. Innovation must first be familiar with the evolution process of the ancient law and its characteristics of the times, followed by its creative ideas and its expression techniques. This process should be studied in depth to enrich individual understanding and performance skills in calligraphy. Such as Yan Yan's upright, generous, upright, Wang Xizhi's delicate and colorful, Zhao Mengfu's harmony, Wang Xi's swaying, the right center's live, and his body's wonderful way.

Think of these features as "elements" in your heart, keep them in mind, and continue to practice. As the creative idea and expression technique of future creation, it is organically embodied in his own works. For example: I read a work by Master Hong Yi. The writing is very calm, kind and eyeful, revealing a Buddhism philosophy that is indisputable to the world. I can see that when I write, my mood is calm and watery. A few years later, a couplet that I created was written by a Buddhist family. The calmness and relaxation of writing is natural and the effect is better.