In the Qing Dynasty Qianlong period, there are a large number of auspicious auspicious motifs in the decorative paintings of the porcelain. Most of these themes are based on the natural scenes, and the pastels are the masterpieces. The meaning of the birthday of the minister.
The pastel-colored monkey bottle was fired in the Jingyao Imperial Kiln Factory in Jiangxi during the Qing Emperor Qianlong Period. Bottle mouth, straight neck, round shoulders, belly. The whole body is decorated with pastels and the patterns are painted by meticulous paintings. In the valley surrounded by the peaks, hundreds of monkeys are playing and playing. Some three or five are gathered in the edge of the cliff, some are swaying between the pine branches and the vines, and some run and jump next to the stream. This piece of pastel-colored monkey bottle is made up of sixteen fairy peaches. It is said that the 60th birthday of the Empress Dowager was held in the 16th year of Emperor Qianlong, and the scene of the birthday of the Empress Dowager was used by the Baibao.
Qing Dynasty Baiyu Shuangyu Xianshoushanzi
Hetian white jade, seed material, with skin. With the shape of jade material, the whole piece is a jade mountain, showing the theme of life. On the front side, the plaques are stacked and the mountains and stones are smashed. Two peach trees grow between the stones. A mountain monkey climbs on the peach branch and picks the fruit; the other mountain monkey makes a peach. The peach branch at the top of the back of the mountain quietly clings to a bat. The bat body is made of a small piece of brown jade. It is quite clever and very interesting. It is the crowning touch of the whole mountain. The mountain monkey's legs are eucalyptus, and one hand catches the tree with one hand enough peach; the two-handed tray, the knee-shouldered piety, and the posture of the mountain monkey climbing, picking, and supporting are all vividly vivid and vivid, reflecting the superiority of the jade man. Jade skills.
The whole machine not only creates a natural and interesting harmony between mountains and rocks, animals and plants in nature, but also highlights the auspicious meaning of life and life.
Five-generation pottery painting color 12 Zodiac monkey
The zodiac wears a crown, the eyes are slender, the nose is high, the lips are slightly open, and the big beard is trimmed neatly. Hands clasped together, wearing wide-sleeved robes, pleats naturally smooth, sitting on a rectangular pallet. The crown-shaped plastic engraved monkey head is very expressive, the ring-shaped eye is round, the mouth is stretched out, and the mud-shaped disc is shaped with two round ears. It looks vivid and lovely. The monkey head and the "Shen" in front of the scorpion echo each other and complement each other.
The time when the zodiac appeared in the tomb was about the time of the Southern and Northern Dynasties of China. It was painted or carved in the murals or epitaphs of the tomb. During the Sui and Tang Dynasties, the 12 Zodiac Tao Xun began to appear in large numbers. Some people have the image of the animal face, that is, the skulls are molded into various animal images representing the zodiac, and the robes are exactly the same as other Tao Xun images; others are carrying the zodiac Animals or directly molded into a zodiac animal image. This monkey of the Five Dynasties was donated to Mr. Zheng Zhenduo.
The agate in the Qing Dynasty immediately sealed the pattern snuff bottle
This snuff bottle is agate texture with yellow-brown spots on one side, a black-brown agate carved into a horse, and a small monkey crouching on the horse. The horse and the monkey are looking down at the grass. A little bee, taking its homonym, implied that "just seal the Hou." The round lid is made of pink tourmaline with a small scoop of bone. The body of the kettle is oblate, the inside is large, the wall is thin, and the whole body is polished bright.
Sui Dynasty Zodiac Mirror
The Palace Museum has a collection of 12 Zodiac mirrors. The Zodiac mirror is a kind of mirror popular from the Sui Dynasty to the early Tang Dynasty. This mirror has a round button base and the bezel is decorated with beads. The theme is divided into inner and outer areas. The inner area is a week's winding leaf pattern, and the outer area coils are twelve-framed with twelve double-line divisions. Each frame has a vivid and realistic zodiac animal arranged in the order of meridian. The animal heads to the left and runs clockwise, symbolizing the cycle of time. The periphery is a triangular sawtooth pattern for the week.
The ancients believed that the bronze mirror had the power to ward off evil, and there was a saying that "holding this is a hundred evils." Therefore, the combination of the zodiac and the bronze mirror contains the good wishes of the ancients to pray for good fortune.
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