"Copper, boiling; copper, spraying gold; copper, waiting, a thousand years, two thousand years, five thousand years of waiting." He wrote passionately in the poem, "I wish I was copper, copper is I."
Leifeng Pagoda, Emei Golden Summit, Guilin Copper Tower, Lingyin Copper Hall, hundreds of iconic bronze buildings make him the "father of contemporary Chinese copper architecture"; he is the only national craft in the field of Chinese copper sculpture The master of art, the original fusion of copper art, created a new genre of "melting realism", and his masterpieces are often presented as a national gift to VIPs; he is a representative inheritor of China's intangible cultural heritage, and he and famous cultural experts in 2005 Zhe Wen and Zheng Xiaoxuan together advocated the need for protection and application of the Grand Canal. It is called the “Three Old Canalsâ€.
He loves calligraphy and likes painting. In recent years, he fell in love with poetry. He published three collections of poems. After he joined Xiqiao Institution, he made the first bronze exhibition of Xiqiaoyin in the Chinese Museum of Indian Studies. He is the 72-year-old bronze sculpture master Zhu Bingren, whose achievements are remarkable. He can take it out of his life, but he still said, "I will never be satisfied, I will continue to move forward."
Zhu Bingren, born in 1944, is the fourth generation of Zhufu Copper Art. Master of Chinese Arts and Crafts, Chinese copper architectural artist, consultant of Beijing Palace Museum, representative inheritor of China's intangible heritage, researcher of China Art Research Institute, member of Xiqiao Printing Society, director of China Cultural Relics Restoration Committee, reputation of China Canal Cultural Heritage Committee President.
In Hefang Street, Hangzhou, a Jiangnan residential-style copper building “Jiangnan Copper House†attracts many tourists. It is also the Zhu Bingren Bronze Art Museum. In this all-copper world that Zhu Bingren has created, he displays many of his bronze, fused copper art and cultural creations. Zhu Bingren said, "Copper is a kind of metal that makes people feel intimate. I let the audience touch and touch them freely. This special texture and temperature will make you love the copper without knowing it."
The Zhu family ancestors are famous for their bronze art and calligraphy. The treasure of the family is "to establish a career in copper and to make a living in a book." However, it is unthinkable that Zhu Bingren was still a layman who did not understand the copper smelting process when he was in his 40s. Although more than 140 years ago, Shaoxing “Zhufu Yida Copper Shop†was very popular. "Daughter makeup, Zhufugong", praised Zhufu copper art. In fact, before the 1980s, China experienced decades of "broken generation." In the era when there was no copper, Zhu Bingren followed his father to practice calligraphy and learn traditional culture. He seemed to be preparing for the future of "China's old name - Zhufu copper art".
With the release of the copper market, Zhu Bingren thought that the ancestral copper art had the hope of revival. After years of incomprehension, he plunged into the pile of books, starting with the bronze and bronze medals, and stepping closer to the ideal of restoring his ancestral career.
Seiko is a craftsman, and he is born in the world. Zhu Bingren's inheritance of his ancestral skills, the excavation and research of bronze sculpture art, created a lot of first in the field of copper construction. His purple gold-carved bronze sculpture "Xuan Zang Qiu Tu" ended the history of bronze sculptures in ancient and modern Chinese and foreign bronze sculptures; Yongjin Copper Bridge is China's first single-hole arched practical copper bridge; Leifeng Pagoda is After repeated trials and explorations, it was replaced with a colorful copper coat, becoming China's first color bronze sculpture tower... Zhu Bingren's hard work and innovation, from "multi-level forged copper relief" "multiple etching imitation cast copper" "Zijin More than 60 national patents, such as engraved bronze sculptures, "high contrast grinding technology", as well as the Chinese Arts and Crafts "Hundred Flowers Award" Gold Award, Hong Kong International Patent Exposition Gold Award, World Science Development Achievement Award and other awards.
The real rejuvenation of Zhu Fu copper art stems from a shocking fire in 2006. At that time, Zhu Bingren built a pagoda for the Tianning Temple in Changzhou. At the last moment of completion, a fire broke out. The bottom of the tower was burnt down, and the copper crystals formed by high-temperature smelting were in a variety of poses, but attracted the attention of Zhu Bingren.
At that moment, the aura flashed. Zhu Bingren discovered the beauty of copper melting in high temperature with a unique artistic vision and discovered a new artistic language, which opened up a new field of moldless and controllable copper art. The traditional copper culture is a cast copper culture, and copper can only be formed in a mold. Zhu Bingren's original creation is the melting copper process. It achieves the first free flow of copper in a certain space, unconstrained, forming a variety of textures. The molten copper is separated from the mold and molded once, so each piece is an orphan and cannot be copied. It is the world's first. He said, "Since the Bronze Age, copper casting required molds. This 'mouldless controllable casting process' liberated copper completely from the mold and gave copper freedom."
After the birth of molten copper art, Zhu Bingren also borrowed the techniques of multicolored, enamel and pastel, and created a new painted “Geng Cai†on the molten copper material, which made the quaint copper more colorful and made the copper art more. He was so brilliant that his fusion of copper art was unacceptable.
For example, in the Shanghai Art Fair in 2012, a whole piece of “rice†of 6 square meters and a height of 1.15 meters is densely covered with rice, and the rice is like a wind and the wind. This is the work of Zhu Bingren’s large-scale melting copper installation. Rice is a way, very road." He said, "Rice is a tangible body that feeds people's intangible spirit. Ordinary rice can express the grand 'Tiandao' proposition and humanistic concept."
Also, in the 2015 Peking University Library, the creative installation art “Golden Bowl is empty, 2015 people lack what†debut. In this work, he sinks into Zhu Bingren's philosophical thinking, what is the human wish in the current social wave of materialistic desires. The golden bowl is empty, and the wish is always increasing. On the road of development, human beings are finally expecting something. Each golden bowl is in a silent form, showing Zhu Bingren’s pursuit of art and the constant exploration of human destiny.
At the well-known horse fair on November 7, 2015, President Xi Jinping attended the opening ceremony of the Singapore Chinese Cultural Center. At the top of the lobby, which represents the cultural exchange between the two countries, Zhu Bingren’s large-scale molten copper mural painting “Spring and Qing Dynasty†is hanged. Zhu Bingren said, "'Spring and Qing dynasty' is taken from the ancient Chinese poetry, 'Spring and Jingming, clear and elegant,' meaning a harmonious and beautiful world of peace and prosperity."
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